The Counselor 2013

Year: 2013
Genre: Crime, Drama, Thriller
Starring: Michael Fassbender, Penélope Cruz, Cameron Diaz
Director: Ridley Scott

 

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Review: With a star studded cast, featuring Michael Fassbender wants, Penelope Cruz, Cameron Diaz, Javier Bardem and Brad Pitt, and directed by Ridley Scott, with a script from one of the greatest novelists im; Ricans live, Cormac McCarthy, of course I went to see the counselor on face value alone. Certainly, from the fact that it is not a very cinematic company, the first half of this movie is pretty bad. That is to say that the first act and a half is too cryptic for its own good, the dialogue is in love with his own double entenders and lines that looked like they would be more comfortable with a novel oral aloud by people. But if you are patient enough to stay with this film until the second time, you will be rewarded by the witness how Scott McCarthy and weave stories about the work less together, quietly guide the public a brilliantly disturbing and hypnotic final. Performance (the standout from Bardem) are all fine here. These are all great actors, so what else would you expect? Same for direction. The Joker in the advisors are always McCarthys transition from novel to feature script, a transition that was a failure of the first act in the field of dialogue alone. In the same breath, the story of its highly competent lawyer who is involved in drug trafficking and influential buildings bought him almost completely by the time its all said and done. As I mentioned earlier, there is not much action here, which can give the illusion occurred some order but nothing is progressing, you can also promote verification performances. But in this film based on the conversation as I prefer dialogue to be treated with more subtlety, the subtext is always interesting takes stories converging speed in the second half. The closing: mentor is like an artichoke movie. You either want it or you do not like. And both are understood. Maybe one day, once died down all of the critical heat, history will look more advisable in this film. But for now, there will be an element of the majority of ordinary audience just will not be able to forgive. Written by Markus Robinson, Edited by Nicole I. Ashland